What we keep thinking about here is the fact that Peter Berg, despite being one of the most versatile people working in Hollywood, has never directed a blockbuster. Until now, right? Right, but only because this is a Will Smith starrer; the man who hasn't had a flop since the year 2000 is one of only a few actors who could have greenlighted this project. (With most any other actor, Hancock would be a January release and, at best, a dicey superhero prospect.) But the question remains: Will Hancock hit the heights of Tony Stark and, to a slightly lesser extent, Bruce Banner? With Smith in anti-hero mode, a hard-fought PG-13 rating, and a definite lack of buzz, we're wondering if this might underwhelm. Maybe that why Sony has all but suppressed the relationship between Will and Charlize's characters here.

Chances are if you came of age in the early 90s, The Wackness is already on your radar, thanks to the buzz Jonathan Levine's second movie has built since its Sundance debut back in January. First there was the report of Ben Kingsley macking on co-star Mary-Kate Olsen (only while cameras rolled), then came the ire-raising purchase by Sony Pictures Classics that preceded the first trailer. (First Showing has the second trailer online.) Personally, I'm primed for a second look at the film, which has been trimmed by about 15 minutes since Sundance; I found it to be warm, honest, highly stylized, and truly concerned with the relationships between its characters. Josh Peck, who will reunite with co-star Olivia Thirbly in Safety Glass later this year (we think), might just become the new It Boy with his sleepy, toned-down performance. And maybe if Wackness strikes, we'll get to see Levine's oft-delayed debut All the Boys Love Mandy Lane this summer.

Okay, an average-looking guy in an ill-conceived blue costume is shaping up to be my summer superhero, and though he won't generate the same attention as Will's Smith's Hancock this holiday weekend, doesn't he seem way more entertaining? Lookee here for more background on Scott Prendergast's trials and tribs as a first-time writer/director/star, and know that the festival circuit adopted this comedy as one of the best films of the year.

You might best remember actor-turned-director Terry Kinney as Tim McManus, the prison employee who conceptualized "Oz," and it looks like Diminished Capacity's chances of raising his profile as a filmmaker are rather slim. Like so many other promising features at Sundance earlier this year, DC wound up at IFC Films with little fanfare soon after the festival ended. Reviews all seem to state that the story's forced quirkiness sinks the otherwise intriguing pairing of Broderick and Alda (who don't get the highest marks for their respective performances, by the way), although the script saves its worst nuances and tics for its supporting characters -- so you might not be treated to the best work by Bobby Cannavale and Dylan Baker, either.